In dialogue, and in contrast with the exhibition Black and White, only just opened in the Gallery, Lorenzelli Arte shows art at MiArt 2013 in which lively colors are the main players. The exhibition reveals a diversity of artists, diverse in their roots and semantics, all expressing the same strength of color and light.
The red of Giuseppe Maraniello in his work IN-ES of 2012 suggests a thin thread that opens in the painting of Piero Dorazio, the colors multiply and intertwine until reaching the maximum elegance in the timeless painting of Arturo Bonfanti. In the work of Arcangelo the reality seems to look out for letters and recognizable images but through the color these take features of a different reality, the strength of color acts with them.
The perspective becomes international with the painting of Francis Picabia and with Allen Jones, and Ronnie Cutrone. The attention for the evolution of the artistic language is not less investigated by these two artists, the first exponent of the current English Pop, the second of the American 'Graffiti' scène.
Lee Ufan closes the circle of this exhibition referring to the 'uncolored', to the potential strength of all colors in the white and black, in a triump of dramatic 'nail claws' on the canvas. Few artists but a large and complex artistic panorama, the harmony of the forms, the balance of the red and of the white and black, the irony and the complaint, the strength and the grace of the light, are explained by these works that give a limit to the achievable at the stand of MiArt, a gaze and an emotion to how dedicated the gallery is to the artistic 'movements' from as well the past as the present.
